

Robert Lockridge
Author, Writer, Song-smith, Musician
BESTSELLER
White Ash the story of Joaquin

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THE BOOK : White Ash the story of Joaquin
The Story
​ ​ Under a starry, starry sky a dappled grey horse stands at the corner of a large fenced- in pasture on a rise at the mouth of a canyon and sniffs the wind, which is flowing down and out of the widening and deepening gorge. He gives off a soft and low nicker while bobbing his head up and down, and impatiently paws at the ground with his hoof, first with one fore-foot and then the other. He then quickly turns and runs parallel to the fence a short distance down the rise, away from the mouth of the canyon. Suddenly he stops short and turning back into the direction of the fence, runs back up to the corner and again sniffs the wind and with tail raised he snorts and prances in a tight circle. He stops and looks up into the canyon, and he tests the wind, for the thermal currents were changing. He begins to jostle back and forth on his fore-legs and cries out with a loud whinny and again turns parallel to the fence with his nose in the air and continues his lonesome cry. He drops his head and runs fore-long to the opposite corner, a distance of nearly a half a mile, to a cross fence where a windmill sits. Its blades are giving off a soft purring sound, accompanied by the chugging sound of water flowing into a large steel tank which is shared by the adjoining pasture. On the other side of the tank stand three mares and a stud. The grey seeks solace from the mares, and immediately, the stud turns and lunges at him squealing with a gaping mouth with the intent of seizing the grey by the neck. The grey immediately collects himself and ducks escaping the viscous bite of the stud. In jumping off to the side, he escapes the threat of his adversary by his quick movement and the aid of the barrier which separates them. Stopping for a moment, he looks far off to the other geldings which occupy the same pasture as him, as they peacefully graze with no concern of the things that are tormenting him. A bay lifts his head and looks in the direction of the grey momentarily and then drops his head and returns to grazing. Receiving the silent beckoning of the bay he temporarily forgets the impending threat, and his first concern, and lowers his head. He steps off in the direction of the geldings, and suddenly he catches the wind and his nostrils flare, which causes him to stop and again throw his head up. As the stars are disappearing and the sky is beginning to brighten the grey again turns and begins to run to the corner of the fence at the mouth of the canyon and again gives out a long beckoning cry.​
The grey leans against the cedar post and its single top rail, which form the corner bracing for the strands of barbed wire that are lashed to cedar posts set at varying intervals and run the distance of a mile in either direction, to test for its rigidity and its resistance against his weight. The structure, indicating its permanency, gives no submission to the grey. The dapple grey steps back and lowers his head and waits. That corner spot would become worn from when the worried one would return time and time again to take up his vigil.
The New Arrivals (Part II, Chapter 10.)
The Year was 1920
​ Now Martha felt her entire body flush, a feeling of excitement that she enjoyed, and her throat drew dry, leaving her somewhat afraid to speak. With her right hand, she thrust her flattened fingers underneath the left shoulder of her dress covering her cleavage, and then withdrawing her fingers, she rested her chin on her partially closed hand. "Well Mr Matthew Jefferson! It's nice to meet you."
Excerpts​
from: Robert Lockridge's​
White Ash the story of Joaquin ​
​
A Promise ( Part I , Chapter 4.)
(1929) ​​
In the hush of the morning
​
Looking upon Jack, a promise, a first born son, born of this land, who would surely be an arrow in his quiver, it thus generated a feeling in Lock that all was well. Lock turned his attention back to his driving, replaying the sounds he'd heard in his mind. Then recognizing and understanding what Laura had said, turned to her and smiled.
​​ ​ No Wood (Part III , Chapter 5.)
Where revenge met benevolence, ​
Where the cruel met the kind,
Where violence met peace,
and
Oneness was felt by those who knew it.
A horse would be the hero!
Or would he?
​
​​ Joaquin took the loose end of the McCarty and ran it under the belt of his chinks as if Charlie were a well broke usin horse, and he gathered up the reins and threw the romal over the saddle horn onto the offside of Charlie. Thereby the popper at the end of the romal, slapping the fore-leg just above Charlie's knee, set the trigger. The crowd that had come for the show sat on their mounts slack-jawed watching and listening for the pending storm and waiting for the sound of thunder. Some were tugging at their garments or gear while others stood up in their stirrups and held their breath. Joaquin and the dun felt their pulse, and there was nothing broken in the moment. The old ways were losing ground but this moment would be one that would remain the same.
​ The Super Slab (Part IV, Chapter 1.)
​ (2004)
​ Slow and easy . A woman named Tommy . A son named Will, and a burning house
​
While being hurled down the road at what seems to Joaquin to be an unholy speed, the edge of the road passes by in a blur. As Joaquin retreats to days of old, the road begins to slow, even to the point that he is able to identify the tumble bugs that lace the shoulder. Pulling his focus in, and in the dark tinted glass of the side window, Joaquin sees his own reflection. First an old, then a younger man appears. A cool sensation comes over Joaquin's body, a different type of cool, unlike that of a cold wind, but one that comes from within.​
The History of Taylor Canyon (Part V, Chapter 5.)
​
​(July 2nd 2004)
​
He pours himself a drink over ice in one of the glasses as he sits on the edge of the bed, with his back to the windows, in lieu of the hard straight-backed chair that sits in the corner between the two windows, the one facing Main and the other that faces First street and he watches as the shades of night fall on the room. The soft subtle lifting of the sheer curtains by the cooling of the night air cast movement of shadows on the back wall. As he sits and watches, he ponders, wondering, "How many couples have entered this room with a burning desire for each other and left with the feeling of indifference?"
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